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Archive for the ‘New York History’ Category

Steve CannonSteve Cannon turned 75 the week before last. His birthday party was held at the Tribes gallery, his home since the 70’s, with readings by Karl Watson, Michael Carter, Shalom Naumen, and the ‘Unbearable’s book release party.

I got there late, after both the readings were over. The food trays picked clean, though half a box of wine remained. Steve was sitting on his living room couch in front of the apartment doorway, the same place I’ve found him almost every time I’ve gone to see him over the last 20 years. Drinking wine, smoking, and hanging out with the dozens of people pressed in around him.On the walls were the striking photographs of the GirlEye show curated by the gallery. Everyone was drunk. It was just like old times.

Steve comes from New Orleans originally, but he’s been in New York since the 70;s. He is a poet, playwright, and novelist, and was a long-time professor at CUNY until he retired in the early 90’s. In the 70’s, he had a bestselling novel: “Groove Jive & Bang Around”, which gave him the money to buy the building he lives in now. He is almost fully blind, and has been so for the last dozen years, the end result of glaucoma. He has people read his books and newspapers and emails to him, but still gets out to shows and readings. He has plenty of help around the studio, and many people drop by.  I doubt he’s alone much.

When I first started going down in the early 90’s, the gallery was just starting up and Steve could still see, though he wore dark glasses, even at night. On warm days, he hung out on his stoop, and everyone he knew from in and around the neighborhood would drop by. Some days, you could get a reasonable cross-section of the Lower East Side of the time – young white bohemians like myself, old black poets Photo display from the Girleye Show
and writers who’d known Steve for decades, local Puerto Ricans, drug addicts. Many of the people around him were stalwarts of the 80’s Lower East Side writing music art drug scene. Some, like the poet John Ferris, had hung out in the political and writing scene in 60’s and 70’s Harlem.

I liked Steve and John and the other guys, and liked the connection to black NY history and art. Most of all, I liked to listen to them talk politics. They really knew their stuff, and in the self-referential, curiously parochial New York of the day, it was refreshing to talk with people who knew what was happening in what was left of the Soviet Union, Iraq, or Africa, unfiltered by the lens of the New York Times or CNN.

I had another connection with Steve: we’d both squatted in London, in roughly the same neighborhood, though 20 years apart – me in the late 80’s, Steve in the 60’s. I’d been in Westbourne Park, then virtually abandoned, Steve in Kilburn, the then Irish neighborhood in the north of the city. “We thought we were broke,” Steve said, “but there was a bunch of motherfuckers across the street – they had nothing at all! We were rich compared to them!”

Steve Cannon with Michael BlloombergBy the mid-90’s, the Tribes gallery was becoming something of a local institution. Despite the glaucoma, Steve was involved in the rebirth of the Nuyorican Poet’s Cafe, in the Living Theatre, and Bullet Space. His stoop, and his gallery became a popular hangout for a lot of kids arriving in town from Europe, Japan, across America. Bit by bit, I stopped going down.

But in a Lower East Side I hardly recognize, it’s good to see Steve, and his piece of history, still providing the conduit to the past.

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motorcycle shop in Tribeca, 1970's.

Photo: Allen Tannenbaum

I’ve been busy with out of town guests and this curious (and lately very rare) thing called paid work so haven’t posted for a week. I’ll be getting back in the swing soon, but in the meantime a blurb courtesy of The Selvedge Yards.

An essay and photo gallery by Allen Tannenbaum:

New York in the 70’s.

Exciting, edgy times, especially if you were young. And had a thick hide.

More anon.

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Poutine on a plate

We met at T-Poutine, a narrow hole-in-the-wall on Ludlow Street. Forty Canadians, a couple of Americans, there for that curiously popular French-Canadian specialty, poutine. French fries with cheese curds, covered in gravy. T-Poutine is run by an ex-Quebecer, Thierry Pepin, and they serve poutine in all kinds of flavors, from smoked meat to ‘tree-hugger’ (sliced mushrooms). In Montreal you always had poutine plain, so that’s how I had it. And it was the real thing, as close to the Montreal version as you’ll have in New York – or anywhere.

Memories of Montreal Pool Room in the early 90’s at the bottom of St. Laurent, just below rue St. Catherine, the long, long avenue that bisects Montreal east to west, English side to French. An area dominated by strip bars, and tavernes where they played hardcore porn on the overhead TV’s inside and everyone from the bikers (or would be bikers) and their women, to the old men who probably came in every day to the waitresses, totally ignored it. The once-great punk club, Foufounes Electrique, just around the corner, and after hanging out until two or three or four am, you’d drop into the Montreal Pool Room and join the line up of just out of the bar aficianados for poutine, hot dogs, or just the best fries in the city with the best cuisine in North America, hoping it would take off the worst of the hangover the next day. Which of course it didn’t.

Memories too of my first journeys to New York and America in the late 1980’s, riding the night train down the Eastern Seaboard. Drinking in a lounge car full of raucous, mostly blue-collar Americans from Vermont or Massachusetts,  knocking back one dollar cans of bud with shots of Jack Daniels, and some big black dude with an afro playing Jimi Hendrix medleys on a farfisa organ in the corner. Arriving with the Bronx dawn spilling out the train window, those magnificent power station chimneys rising up beside the Hudson. Stumbling out into Penn Station with two hours sleep, still drunk.

I hung out on the Lower East Side in those days, drank just up the street. The Lower East Side was still mostly Puerto Rican, the dealers lined Rivington, the bars that cover the area just starting to make inroads on upper Ludlow. I had a friend down on Clinton and I’d stay at his loft space overlooking the Williamsburg Bridge. The doorbell didn’t work so you had to shout up and hope he heard you over the traffic noise from Delancey so he could open the window and throw down the key four stories down to the street, the key insulated with a felt glove so it wouldn’t fall on anyone and maim them. I don’t recall the LES being heavy exactly, but when you stepped outside, you were aware of being somewhere not quite America, with the Spanish on the streets, the stores with the religious icons, the music, the food. And the energy – so much energy and tension in those narrow streets. Going back to Montreal always felt like odd, like a deflation, and it would take me days to find myself again.Front of T-Poutine, Lower East Side, New York

After the poutine, we drank vodka supplied by the good folks at the restaurant, then stepped onto a Ludlow I hardly recognized. Some of the old bars still there, Katz’s Deli still there, but I never imagined that the Lower East Side, like (to a much lesser degree), the neighborhood I hung out in up in Montreal, would become a hangout for the affluent. In this case, the very affluent. The same crappy streets, same wine-dark tenement buildings with the iron fire escapes – and a whole lot of bars, restaurants and very fancy cafes, the kind I would never have imagined down here even ten years ago. Even five years ago.

And on a day when the rest of New York was deserted with the holidays and the heat, the LES was packed. It had this strange gloss, like the gloss of a movie set, and I kept thinking of They Live!, John Carpenter’s godawful yet increasingly prescient portrayal of a world run by alien yuppies, because watching these folks, you’d never know there was a recession on, and I had to wonder, as I often do when I’m certain part of Manhattan or Brooklyn: who the fuck are these people?

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Now that summer’s here (in early April), what is there to do but dream of Coney . . .

As one commentator wrote ‘the eerie trippiness IS Coney Island’. With thanks to Amusing the Zillion who posted it first. By Sherwin Akbarzadeh. Keeping with the theme, some more memories of the dreamland wonder that was Coney Island . . .

Ain’t youtube amazing!

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Ill today so can’t write a full post. But here are some links, inspired by a fine post over at cynephile with a couple of the old 3rd Ave. El.
NYC Graffiti from 73-75

NYC subway cars in the 70’s

And related, since it does touch on NYC’s infrastructure, and therefore its basic look:

Penn Station: vandalism on a massive scale.

Subway Train at Smith and 9th station

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Demon exhibit at Coney Island Hell HoleMy first association with Coney Island was a copy of ‘Coney Island of the Mind’ by Lawrence Ferlinghetti my parents had brought in a fit of youthful bohemia, long since abandoned to a top shelf. I was too young to have any grasp of poetry, much less Ferlinghetti’s free verse experimentalism, but I loved the black and white cover image of the fantastic lights, spreading  out for what seemed like miles. It seemed such an iconic place, embedded so deeply in the American psyche that everyone knew what it was to have a ‘Coney Island of the Mind’ (in that mid-70’s era of ‘Happy Days’, ‘American Graffiti’, everything I thought I knew about America seemed vastly more comfortable and inspiring and convivial than the spartan, parochial backwoods Canada where we lived.

Vulture biting dog at Coney Island Hell Hole

But when I  made it out nearly two decades later, it wasn’t Ferlinghetti I thought of, but the closing act of ‘The Warriors’ which I’d seen about nine times when I lived in a group home in my teens. The decrepit subway train clattering through the last bend of the elevated, the bedraggled, exhausted gang confronting a psychotic Sean Penn rattling coke bottles in his fingers while the trash blew past the graffiti shutters outside. The station was almost derelict, and panhandlers and drug dealers lurked around the station entrance, and the street outside the carny looked disheveled, half-abandoned.

As I noted in a previous feature, I’m a sucker for abandonment and Coney Island became a regular part of my NY itinerary. Who could not love the abandoned roller coaster, half-overgrown with vines, or the vista of the elevated elongating out behind the ferris wheel, and the Cyclone, or the old-time creepiness of the carny itself (what gives carnivals this slightly sinister quality? they have have given expression to some buried pagan mysticism, the allure – and power – of the outcast, the freak. The Disney version gets rid of this hint of sleaziness and danger, this hint of the subconcious, the dream).

Painted garbage cans on boardwalk Coney Island

I liked Coney best in winter, when everything was shut down, and the boardwalk was deserted but for a few forlorn Russians out on the pier, hauling in their traps. The fog made the carny, the projects at the end of the boardwalk almost otherworldly. An old guy from the area pushed a shopping cart up and down the boardwalk selling hot latkes wrapped in tin foil. Once, not long after the collapse of communism, he said, “I’m not going to say communism was a perfect system, far from it, but the world has lost something with the disappearance of a state built around the working man.”

The carny retained a few freak shows: a sign promising a ‘man-eating chicken’, a ‘flesh-devouring rat’. I paid one dollar to a very bored looking teenager to see the rat. The two black women behind me giggled nervously, and I wasn’t sure what to expect but the killer rat turned to be an oversized hamster, half-buried in straw next to a bowl of kibble.

I did go to the stage show once. I think it cost three bucks. The audience was mostly Puerto Rican teenagers, the performers a troop of very unhappy looking white people, some with piercings and neck tattoos. One guy hammered a nail through his (pierced) tongue, another guy put on a straitjacket, and had someone from the audience tighten it up then, after some struggle, broke free. Between acts, the emcee plugged whoopee cushions – I guess they had a shipment they needed to get rid of. The kids were amused enough but the performers obviously hated their show, their audience, and wanted the whole thing to be over. The seats and the stage were hammered together with uneven lengths of plywood, the floor littered with trash; in those moments Coney Island seemed a symbol of the decay of Brooklyn itself.

But even in its decay it was surreal. A friend told me once how she’d been on the ferris wheel, and the guard dog down below, a Rotweiller or maybe a pit bull, had gotten it’s head stuck in a trash can and for the whole length of her ride she’d watched the dog thrashing about, banging the can against some nearby posts while the ride supervisor looked on, oblivious.

Freak Show on the side of the Coney Island Film Festival

I didn’t go back for a long time, part of a general withdrawing from New York and the world I went through at the time. Friends told me it had become hip, with the Coney Island Museum, the Coney island Film Festival. When I did go back last year, I was shocked at how little of the old Coney remained. Gone the overgrown roller coaster, the derelict bath house, and the flesh-eating rat. Bloomberg plans to revitalize ‘the people’s playground’, but we’ll see if it will indeed be for the people or just another of the rich man developments Bloomberg seems to favor, whether the spirit of Ferlinghetti’s book cover, the Warriors, and that seedy old carney will live on.

Sunset on Boardwalk, Coney Island

More Coney Links:

Coney Island Freak Show in the 40’s

CO Moed’s ‘My Private Coney’

Coney Island Mermaid Parade

Classic Coney Island Movie: Little Fugitive (thanks to CO Moed)

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This was supposed to be a draught to be published later. Hit the wrong button. and now what’s done is done. I’ll add more to it later.

Coney Island in the 40’s

Ride the Cyclone

The Warrior’s: ‘Come out to play-ee-ay’

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